Mostrando entradas con la etiqueta moleiro. Mostrar todas las entradas
Mostrando entradas con la etiqueta moleiro. Mostrar todas las entradas

jueves, 24 de abril de 2014

Book of Hours of Mary Queen of Navarre - Ed Moleiro

The Book of Hours of Mary Queen of Navarre has been considered the first representative, fascinating and precocious, the internationalism of culture. In illustration luxurious and generous wealth of content with almost exclusive liturgical offices, as hours in honor of his direct ancestor, St. Louis joins.


The April 26, 1342, Pedro of Aragon, asks his wife Mary Queen of Navarre, to send it as soon as possible, from Valencia, the beautiful Book of Hours painted by Ferrer Bassa (pulcriores pray ... quas depinxit Pferrarius Bassa). This paper shows that the admiration for this exceptional work of art is long and was not exclusive of the King, for his thoroughness, attention to detail and perfectionist zeal, is known by the nickname Ceremonioso.


In the next picture you can see the affidavit certifying the authenticity of the fax, and in this case, the number of single shot 737 reduced to 987 copies.


In the Book of Hours of Maria of Navarre treatment of space and the use of rich and delicate hues is particularly noteworthy. Defining characteristic of the artist is the way to portray the faces of the characters straight, pointed nose, with piercing eyes, kind that will last for many years in the painting of the territories of the Crown of Aragon.


The painted scenes in this magnificent manuscript evidence the Sienese influence to soften the plastic language imposed by Giotto, to introduce the music and vitality of gothic drawing: the softer forms and more harmonious compositions.


The intimate details and family, coupled with great sensuality deployed in the representation of the materials, make the codex, preferred by Pedro of Aragon, in the masterpiece of Ferrer Bassa, his masterpiece, the culmination of his art. The perfect example of how the artist used eclectically different influences and personal without being labeled by any of them, forging a personal, original and unmistakable style.


The Book of Hours of Maria of Navarre will also have the honor of being the first book of hours painted on the Iberian Peninsula.


The Book of Hours of Mary Queen of Navarre a book of Gothic illuminated miniatures made ​​in Barcelona Custom reyPedro the ceremonious towards 1342, as a wedding gift from his first wife, Maria de Navarra is. Its author is Ferrer Bassa, according to the royal commission, although stylistically two artists over his workshop, his son Master Arnau Bassa and Baltimore are identified.


The work has abundant illustration that complements the richness of the liturgical content, almost unique features, such as hours in honor of his direct ancestor, San Luis. In the images the treatment of space and the use of live and delicate colors is emphasized. The defining characteristic of the artist's style is the way to show the faces of the characters, with a few pointy noses and eyes penetrante.1 
The copy of the Book of Hours is now in the Marciana Library Venecia.2


When the Crown of Aragon reigned king Alfonso Benigno , were crowned kings of Navarre in 1328 the marriage of Joan II of Navarre and Philip of Évreux , these followed a policy of matrimonial alliances for their children to achieve their political objectives. March 4 Navarra had territorial tensions with the Kingdom of Castile and of these alliances was with the Crown of Aragon to ensure their neutrality in case of conflict with the Spaniards . Thus the kings of Navarre in 1329 a pact with King Alfonso , the marriage of his eldest daughter, Juana Evreux , his son Pedro ten years , future king of Aragon , but finally Juana entered as religious in Abbey of Longchamps near Paris and founded by his ancestor Elizabeth Francia.4 3 This did change plans and pledged their second daughter, Mary, with Peter of Aragon , who had succeeded his father , by a capitulation signed on January 6, 1336 in castle document Anet.3 a dowry of £ 60,000 sanchetes stipulated to pay in installments by the Navarrese king Peter and the residence of Mary Tudela was fixed until it had turned twelve old.5 transfer to this city accompanied by his entourage passed through Roncesvalles , Pamplona, ​​Olite, and reached Tudela on 23 May 1338.6


King Peter had prepared a series of wedding gifts, among which was a crown, six rings with emeralds, rubies and diamonds. Also gave him the deTarazona, Jaca and Teruel towns with their rents and salaries 150,000 year.7 Barcelona was, however, concerned about the dowry that never came and after many failures and finished paying claims Queen Juana when her husband, King Philip had died in 1343.8 
The marriage was held in Zaragoza, but Mary felt unwell during the trip and stopped at Alagon. Peter, who had already accepted several delays the date of the wedding, sent for the Bishop of Châlons and July 25, 1338 a ceremony was held at the same Alagon, Mary became the first of his four esposas.8


The first attributions of authorship made ​​by Santiago Alcolea Blanch aimed exclusively Ferrer Bassa subsequently Alix-Saulnier Pinsard proposed Master of San Marcos as principal accompanied by an assistant not identificado.9 In the last decade of the twentieth century and Rosa Alcoy Joaquín Yarza published two studies on the work, from the analysis of the different stylistic and stylistic comparison with other works of the authors agree in identifying the intervention of three miniaturists who are responsible for homogeneous groups made representations within the book .10 This is not a simple hierarchical shop assistants, but the work is the result of work with an interdisciplinary team participation, supervision and coordination of the master principal.11


The three artists responsible for the bill for this work have been Ferrer Bassa , his son Arnau Bassa and the Master of Baltimore , a member of his workshop.
Ferrer Bassa shop teacher , was a painter known for his work as a painter and miniaturist of the king of the Crown of Aragon. Franco left the original Gothic influence and other painters of the Crown of Aragon, was influenced by the Florentine school and the Sienese school, why it has been called the ' Catalan Giotto . " However, it is believed that his " giottismo 'is a direct influence of the Florentine school , but the brothers Pietro and Ambrogio Lorenzetti which imported the style of Giotto from Asíshacia Siena , 2 where it is likely to travel Ferrer Bassa and which have been observed models that influenced him in his obra.12 addition to this book of hours for Mary Queen of Navarre, his work as a miniaturist anglocatalán highlights the Psalter , a work that had begun shortly before 1200 in Canterbury and after a interruption was completed in Barcelona in 1340 by Ferrer Bassa . The original manuscript is preserved in Paris, at the National Library of Francia.2


Arnau Bassa, son of Ferrer Bassa, began to appear associated with his father from 1345 as part of his workshop. His best known work is the altarpiece of San Marcos commissioned December 11, 1346 for the chapel of the guild of shoemakers had in Barcelona Barcelona Cathedral. In 1348 father and son died of the plague of that year.13 
Master of Baltimore was a miniaturist and painter nearby unknown identity environment Arnau Bassa, 14, who is known by this name because one of his masterpieces, a triptych with scenes of the Virgin which is preserved at the Walters Art Museum Baltimore, in the United States.15 The historian Rosa Alcoy proposed a theory that identified him with Cascalls Jaume, son of Ferrer Bassa and collaborator in some of his work, 16 although other historians do not agree with this atribución


Documentary about the authorship and custom book is not a contract, as had other works commissioned by King Pedro of Aragon to Bassa, but several payments made between June 1 and September 19, 1340 on account of "Oras and retablos ", an expression that had been interpreted as payments for" works and altarpieces "until a new document of 1342 in which the performance of a Book of Hours by Ferrer Bassa was documented was found, confirming that the term "Oras" was not a mistake of the copyist, but the reference to this book of hours for esposa.18


The document in question is a letter sent by the king on April 26, 1342 from Barcelona Maria , who was in Valencia where asked to send by the first person to travel , " the most beautiful hours , which are a case and were painted by Ferrer Bassa '.19 by the date of completion , it was probably a gift tied to the date of consummation of marriage or when Mary became pregnant for the first vez.18
In the 1980s , the medievalist historian Rosa Alcoy developed a thesis about dating that allowed no fix in 1342 as terminus ante quem and placed the manuscript preparation by the year 1346 , which would explain more reasonably intervention of up to three artists in their clothing . According Alcoy, in his letter of 1342 the king would refer to another book for use by the queen, probably owned by the same king Pedro , and then your request would be to order a new book exclusively for ella.20
After the death of Mary in his fourth delivery, the book probably went to one of his daughters , a common practice as you can see in the documentation of the legacy of his sister and queen of France , Blanche of Navarre, to their daughters when he died a few years later.21


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Call: Ms. Lat. I 104/12640 
Date: c. 1340 
Format: 183 x 142 mm 
704 pages, 391 miniatures illuminated with gold 
Bound in maroon leather embossed in gold 
"Almost-original", first, unique and unrepeatable edition strictly limited to 987 numbered and authenticated by a notary 
ISBN: 978-84-88526-20-5 
Format: 210 x 300 mm 
Pages: 600 
Illustrations: 64 
Language: Spanish 
ISBN: 978-84-88526-18-2 
Fax number: 737 of  987 

PRICE: 5900 € 
Contact via this blog or email: Panguitarod@gmail.com


jueves, 21 de noviembre de 2013

Revelation Flamenco - Moleiro

Within the iconographic of apocalypse, the manuscript of the Bibliothèque nationale de France is a unique work: Revelation is the only written in Flemish illuminated and that remains today. The miniaturists show exceptional talent. Recreate usual illustration of this type of texts but brings reasons unrelated to any artistic tradition, each model reflects a great visionary and an atmosphere of mystery in accordance with the content.


Experts place it at the beginning of the fifteenth century. Elements such as architecture, the armor, the armor, weapons, hairstyles and most clothing can be found between the late fourteenth and early fifteenth. Dr. Nelly de Hommel, author of the volume of studies, combining textual analysis and iconographic, concludes that the manuscript was made between 1400 and 1410.


In Revelation Flamenco , realism pre -van Eyck appears in multiple scenes and details, through the characterization of characters and the representation of movement . For example , women who listen attentively to the sermon of St. John in the folio 1r could have been copied from the reality , and the man working in the bellows to light the fire or the boat and its passengers. Other signs of this realism that anticipates the style of van Eyck are folio naked couple 3r, 4r folio skeletons or prostitute led to the stake on folio 20r . It is also reflected in the architecture : churches , towers and buildings have been faithfully represented , but the outlook is even more intuitive than scientific . Many scenes vibrate with a very realistic sense of motion : Wild Waters Flow (folios 1r, 9r, 21r ), animals and human figures convey motion , as the horses of the Horsemen of the Apocalypse ( Folio 7r ) , characters that move ( St. John at folios 5r and 19r, the angel in the sun or the man on the stairs on folio 8r ) , etc. . All these elements breathe life into the scenes. Flamenco Revelation consists of 23 images brimming with diverse and colorful motifs . After an initial full-page miniature depicting scenes from the life of St. John until his exile on Patmos , it enshrines a full-page image to each of the 22 chapters of the Book of Revelation.

Of particular concern are frames that fit each thumbnail. The stylized clouds burnished gold pleated to form narrow meandering around each image is unique and features of this manuscript.


This codex, notably flamenco is a dazzling work. No artist has combined traditional motifs in such an innovative and personal. No miniaturist has provided a colorful objects comparable to the leading painter of this manuscript. Never exuberant architecture first Flamboyant Gothic macabre figures, nudes pitiful, meadows dotted with flowers, foliage detailed costumes end of the Middle Ages had played such a role in the staging farthest Book from the realities of everyday life, Revelation.


* The pictures are not original, because the book meets its original packaging. NEVER been opened and therefore remains in perfect condition.  You can find more information on the editor page: http://www.moleiro.com/es/libros-biblicos/apocalipsis-flamenco.html

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Date: c. 1400-1410 
Format: 340 x 250 mm 
50 pages, 23 full-page miniatures illuminated with gold  Bound in maroon goatskin
  Leather case 
Study book (224 p.)  "Almost-original", first edition, one-off, limited to 987 numbered and authenticated by a notary 
Format: 230x 340 mm 
Pages: 224  
Illustrations: 225  
Language: Spanish  ISBN: 978-84-96400-02-3
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PRICE: € 2,800
Contact via this blog, or email: panguitarod@gmail.com or ventadefacsimiles@yahoo.com

lunes, 18 de noviembre de 2013

Genealogy of Christ - Moleiro

The text was composed for teaching purposes by Pedro de Poitiers, chancellor of the University of Paris between 1193 and 1205. His purpose was to create a brochure that would be useful to students and helps serve as clergy studies poor who could not afford the books. This conceived the stories of the Old Testament in the form presented family trees on a strip of parchment that was placed on the walls of the classroom, in order to show its contents in a single glance. The play was a great success and enormous popularity, at least fifty manuscripts have been preserved in the same from the thirteenth to the fifteenth century.


Given the complexity of characters and situations that are narrated in the Bible, has made ​​a summary of the most significant in history that culminates in Christ. The Genealogy Christi or Compendium of Peter of Poitiers is organized into six historical periods are called the six ages of the world and they come from an ancient theological tradition from the Bible (Genesis 5, 1, 6, 9, and Matthew 1, 1 -17). The first five ages were opened with five Old Testament characters: Adam, Noah, Abraham, David and Zedekiah. The sixth age is announced Christ's birth and concludes with a Crucifixion in which, besides Christ, is representing the Virgin Mary and St. Francis of Assisi.


A variety of colors are used to differentiate various aspects, such as the sex of the characters-so, for example, the names of women can be enclosed in a circle surrounded by green, while the men in red-circled discs; their different categories-for kings used red and ocher, and blue for the prophets, also, in the central trunk running from Adam and Eve to the crucifixion, every age that divides world history offers a different color: ocher for first, red for second, green for third, red for the fourth, fifth and blue to golden yellow for the sixth.


It has a unique and convenient roll form. Chuck is unique and unrepeatable, strictly limited to 987 copies authenticated one by one, with an affidavit (attached).Handmade paper, with the same touch, and smell thickness as the original. Comes also accompanied by n volume of studies by renowned experts in the field.






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Size: 3840 x 193 mmDate: Tuscany (Italy), c. 1320-1340
Contains suggestive Venetian school miniatures with obvious influences of GiottoIt is a Bible story with family trees illuminated
Leather caseStudy book (164 p.)"Almost-original", first edition, one-off,
limited to 987 numbered and authenticated by a notary

ISBN: 978-84-88526-49-6

Price: € 600

Contact via this blog, or email: panguitarod@gmail.com or ventadefacsimiles@yahoo.com

martes, 12 de noviembre de 2013

Libro de los Tesoros - Moleiro (Facsímil)

Buy the book facsimile treasures with the following information :

The Treasure Book is an illuminated manuscript of the thirteenth century, preserved in the National Library of Russia.It is an encyclopedic work of Brunetto Latini ( c. 1230-1294 ), Florentine politician , poet, historian and philosopher, teacher and friend of Dante .
Was written in France, in French, during the author's exile ( 1260-1267 ) and consists of three books: the first begins with the biblical story, the story of Troy, Rome and the Middle Ages, followed by a natural history which collects extensive information on astronomy and geography. Also covered in detail some species of animals and birds.
The second book is about ethics: moral thoughts collects classic and modern, and studies the vices andmen 's own virtues .
The third book, the most original part of this work deals with issues related to politics and statecraft that , according to the author, is the most important and the most noble of all sciences.

cover

The thumbnail of this codex is extremely rich and varied. The artist's imagination is inexhaustible: the margins of 18 pages are filled with numerous arabesques and drolerías. These are one of the most advanced series, most interesting and oldest of its kind in the history of European miniature. 
Also abound beasts, grotesque and strange, dwarves, acrobats doing balancing and juggling and musicians playing trumpet, flute, viola, tambourine, organ and bagpipes; also appear birds, hares, fawns, lions and a dogs to hunt wild boar. It has even drawn the creation of Eve. The natural history illustrations using traditional patterns that date back to the Roman tradition bestiary.


inside

OBJECTIVE DATA

Of the 115 miniatures framed, 4 are initial. Prepacio storied and at the beginning of each of the parties. Capitulares in gold and decorated with blue and carmine.
Consists of three books within the same volume. 298páginas.
Size: 310x220mm.
Text of s.XVI pergamino.Encuadernación 210x150mm, brown goatskin patterned mosaic.Paper Hand made ​​especially for this work of art with the same feel, thickness and smell the unique and unrepeatable original.Tirada, strictly limited to 987 copies (No. 737), one by one deed.


Signature of Notary certifying its authenticity


The Spanish label M. Moleiro Editor has published the first and only facsimile reproduction Treasure Book in a deluxe edition limited to 987 copies,volume accompanied by a study by LI Kisseleva (National Library of Russia, St. Petersburg), IP Mokretsova (State Research InstituteRestoration (GosNIIR)), W. B. Clark (Marlboro College), I. P. Mokretsova, G.Z. Bykova and V.N. Kireyeva (State Research Institute for Restoration(GosNIIR))



More information on the official website of Moleiro: http://www.moleiro.com/es/miscelanea/libro-del-tesoro.htmlOr on wikipedia: http://es.wikipedia.org/wiki/Libro_de_los_tesoros

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Any questions or information you can write to email: wegottafunk@gmail.com

SALE PRICE: 4400 €
Listen to offers.In perfect condition. Indistinguishable from a new one. Authentic guarantee of exclusivity. This is the numbered by the notary # 737
I present the accreditation of sale and contact the notary.